Tue Feb 12, 2013
NEW PANDORA CHANNEL
http://www.pandora.com/station/play/1276126434125637792
Tue May 29, 2012
Transcending Traditional Performance Workshops for Composers, Instrumentalists and Media Artists
I am offering a presentation that focuses on performer and computer interaction using MAX/MSP software. I have built interactive MAX/MSP computer patches for performance for over 20 years. This presentation has been successful at schools such as the Hartt School, Peabody, Radford University and Cincinnati Conservatory, and can be for composers, instrumentalists and media artists.
The above can also be in the form of a short or long term residency. A 2-day residency would begin with a concert performance followed by a workshop for student composers, performers and media artists. An extended residency could include student interaction, as well as a performance of their work.
The presentation would need a stereo sound system for playback, as well as a smart classroom projection system to demonstrate the software and multimedia connected to a Macintosh Powerbook computer.
WORKSHOP TOPICS AND REPERTOIRE:
INTERFACING THE INSTRUMENT WITH A MOTU DIGITAL AUDIO INTERFACE, MIDI PEDALS AND COMPUTER
INTRODUCTION TO MAX/MSP SOFTWARE
REALTIME EFFECTS, AUTOMATED TASKS AND COMPUTER SCORES
- Petals by KAIJA SAARIAHO - demonstrates extended sonic possibilities using realtime pedal control and the scoring of electronics.
- Shadows & Light by KEN STEEN - expanding and contracting the space.
- Indian Summer by ALVIN LUCIER - the work features 2 sets of beating patterns, one a unison double-stop, the other a slightly detuned speaker using a pedal.
EXPANDING COMPOSITIONAL POSSIBILITIES
- On Connecticut Naturalism by MICHAEL GATONSKA - a complex MAX/MSP program which allows the performer to record material in realtime resulting in the layering of sections and transitions, as well as extending the sound of the electric cello.
- Landmine by ANNA RUBIN - triggering digital audio from the fingerboard and playing sound files.
INTERACTIVE SCORES AND MULTIMEDIA
- Variations II by JOHN CAGE - a realtime score in MAX.
- Portrait of Jeffrey by PAULINE OLIVEROS - a unique, interactive, computer score in the form of a mandala which encourages improvisation.
- Videocello, an interactive video improvisation by JEFFREY KRIEGER
Fri May 25, 2012
Videocello - an interactive video improvisation for electric cello and computer
I'm writing because we have just under a week to reach our USA Projects Videocello goal! This is an all or nothing fundraising model so we need one last push to keep all funds raised to date.
-- Can you help? Even sharing on your Facebook wall or sending the project link to one friend would be so appreciated.
Also, I would like to announce that I will be donating 5% of any money made performing this cutting-edge work to Water Aid India. Water Aid India is the leading charity for clean, safe water and sanitation in the world's poorest countries.
Here is their website.
http://www.wateraidamerica.org/
And here is the link to donate to Videocello. Please help me help Water Aid India.
Videocello
Thanks to those of you who have already pledged! We can still make this happen.
Sun May 20, 2012
CINCINNATI CONSERVATORY PERFORMANCE ARCHIVE
If you missed the live broadcast of my Cincinnati Conservatory concert you can view the archived performance here.
http://www.ustream.tv/recorded/22594675
Sat May 12, 2012
LIVE BROADCAST! CUTTING-EDGE ELECTRIC CELLO
Dear Music Lovers,
This coming Monday night the 14th at 8 pm EST my Cincinnati Conservatory concert will be broadcast live over the internet!
Here is the link.
http://www.ustream.tv/channel/jeffrey-krieger-electric-cello
Program information is here.
http://www.facebook.com/events/409982062354503/
I hope you can join me for this exciting event!
Tue Apr 24, 2012
HARTFORD NEW MUSIC FESTIVAL
Why is this music titled Cello Peace?
http://hartfordnewmusicfestival.wordpress.com/2012/04/23/why-is-this-music-titled-cello-peace/
Mon Apr 02, 2012
USA PROJECT ANNOUNCEMENT
Check out my USA Project, Videocello, an interactive video improvisation for electric cello and computer and see how you can become part of it.
http://www.usaprojects.org/project/videocello_an_interactive_video_improvisation_for_electric_cello_and_computer
Sat Mar 10, 2012
SPRING 2012 EVENTS
Jeffrey Krieger, electric cello
Sunday, April 29, 12 pm
Buckman Theater
Quinnipiac University
275 Mount Carmel Ave.
Hamden, CT
On Connecticut Naturalism by Michael Gatonska
Old Badman by Arthur Hernandez
Reliquary of Labor, a multimedia work by composer, Ken Steen and media artist, Gene Gort
Free Admission
Wednesday, May 2, 6 pm
Centinel Hill Hall
Capital Community College
950 Main St.
Hartford, CT
On Connecticut Naturalism by Michael Gatonska
WORLD PREMIERE, Old Badman for electric cello and electronics by Arthur Hernandez
Reliquary of Labor, a multimedia work by composer, Ken Steen and media artist, Gene Gort
Free admission
Hartford New Music Festival
Saturday, May 5, 2 pm
Charter Oak Temple
21 Charter Oak Ave.
Hartford, CT
Cello Peace for electric cello and 4 channel playback system by Cenk Ergun
Monday, May 14, 8 pm
Cohen Family Studio Theatre
Cincinnati Conservatory
On Connecticut Naturalism by Michael Gatonska
Old Badman by Arthur Hernandez
Reliquary of Labor, a multimedia work by composer, Ken Steen and media artist, Gene Gort
Free Admission
Sat Jan 28, 2012
CONCERTS@CAPITAL SERIES PREMIERE
Music of Arthur Hernandez
OLD BADMAN for e-cello and computer
Wednesday, May 2, 2012
6 pm
Capital Community College
Centinel Hill Hall Auditorium, 11th Floor
950 Main Street
Hartford, Connecticut
Admission Free
Wed Dec 07, 2011
PROJECTS FOR 2012
FALL AWAY
A multimedia opera for soprano, electric cello and projections by composer, Douglas Knehans with libretto and direction by Juanita Rockwell.
UNTITLED interactive video work using MAX/MSP/JITTER software
Gene Gort, video artist
SO CA VIDEOCELLO TOUR 2012
Videocello tour of the LA, San Diego, Palm Springs area in 2012
OLD BADMAN for electric cello and electronics
Arthur Hernandez, composer
A tribute to the composer, Donald Erb.
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